Brock University

COSC 3P98 Computer Graphics

Instructor: Brian J. Ross

- using lighting with flat or blended shading renders objects with smooth but constant or blended colour
- most objects have texture: minute details on surfaces
- a number of ways to do this in graphics:
- a) surface-detail polygons
- add more polygons of different colours and shapes to give surface detail
- not realistic for fine detail: too many polygons!

- b) texture maps: define a texture image, and then "wrap" it around object
- c) procedural textures: compute the colour of each point on the surface of the object
- d) bump maps: define a function which varies the geometry of points
on the surface when lighting is being computed: lighting effects will yield
bumpy surface
- i) surface normal manipulation: normals altered according to bump map, but geometry stays the same (KPT Bryce)
- ii) surface deformation: actual surface geom is altered

- a) surface-detail polygons

- texture maps: somewhat like a pixmap, except:
- (i) there isn't a 1:1 correspondence between map entries and pixels;
- (ii) it is applied to objects in a variety of ways

- texture maps may be drawn, scanned, photographed, generated mathematically (fractals), sampled from a video image...
- typical maps: leathery skin, granite, bricks, spaceships...
- texture map resides in its own 2D coordinate space ("texture space", often (u,v) coords)
- simply means you can talk about texture coords without confusing them with your model coordinate space
- texel: one texture map element
- combined with lighting equations, texture mapping can yield impressive photorealism

- different geometric mappings (texture projections) possible
- simple one: planar
- map texture to a plane
- position the plane with respect to the object, such that it covers the entire object; for example, position it on (x, y) plane.
- For each surface point P (x,y,z) on model, use it's (x,y) to access colour at texture map position (x, y) --> use that colour at P
- Effect: the texture runs straight through the entire object from one side to the other.

- interpolate fractional coordinates on the texture map
- Can scale the texture onto object by shrinking or expanding its pixmap size.

- cylindrical projection: a texture cylinder encloses the scene
- first need to map your rectangular bitmap to this cylinder
- any point on cylinder can be computed by:
- (r cos A, r sin A, hz)
- 0 < A < 2*pi
- 0 < z < 1

- then texmap coordinates mapped to cylinder via: (u, v) = (A / (2*pi), z)
- 0 <= u, v <= 1

- This maps texture to a cylinder. If you have a non-cylindrical object,
you can enclose it within the cylinder.

Then you can use various strategies to associate surface points with the cylinder.

- parametric mapping: the model has a coordinate space defined on it
- coordinate system generated when model initialized
- deformed along with model surface during model editing
- texture coordinates will map around model surface directly; there is a 1 to 1 mapping between texture and all points on the model surface
- permits precise interactive painting on model (eg. Bodypaint 3D: screendump.)

- OpenGL has a powerful texture mapping utility that has a number of user-specifiable parameters
- Very complex and comprehensive! We'll only touch on its basic capabilities.
- Scheme:
- Specify the texture.
- 2d or 1d image; resolution

- Indicate how texture is to be applied to each pixel.
- decals, blending with lighting, ...

- Enable texture mapping.
- Draw the scene, supplying both texture and geometric coordinates.
- mapping texture to polygons; how to treat boundaries (wrapping,...)

- Specify the texture.

**glTexImage2D(GL_TEXTURE_2D, GLint level, GLint components, GLsizei
width, GLsizei height, GLint border, GLenum format, GLenum type, const GLvoid
*pixels)**

- level - resolution; if 1 resolution, set to 0 (recommended)
- components - number of components, from 1 to 4
- determines which channels blend with material colours

- width, height - # texels wide, high in image table
- Note that size must be a power of 2 (64, 128, ...)

- border - width of border (usually 0)
- format, type - information on image format
- pixels - texture image
- image formats: a number of predefined image formats are recognized (see documentation)
- the
**glPixelStorei**command permits setting formatting conventions for drawing and reading image bitmaps in OpenGL

- the

**glTexEnv{if}{v}(GL_TEXTURE_ENV, GLenum pname, TYPE param);**

- defines how textures are applied; e.g.
- if param=GL_REPLACE, then texture's colour is used for polygon's colour
- param=GL_DECAL, then texture's colour is blended with polygon using ALPHA channel
- param= GL_MODULATE, then texture multiplied with other colour
- etc.

**glTexParameter{if}{v}(GL_TEXTURE_2D, GLenum pname, TYPE param);**

- controls if texture repeats, clamps (last texel used wraps across remainder of poly), how texture magnify or minimize, etc

- (a) manually: use
**glTexCoord2*(vertices)**- for each vertex of polygon, you also supply position it maps to in texture table
- then texture is linearly interpolated through the polygon when its drawn
- eg.

glBegin(GL_POLYGON);glTexCoord2f(0.0, 0.0); glVertex3f(1.0, -1.0, 0.0);glTexCoord2f(0.0, 3.0); glVertex3f(1.0, 1.0, 0.0);glTexCoord2f(3.0, 3.0); glVertex3f(2.41, 1.0, -1.41);glTexCoord2f(3.0, 0.0); glVertex3f(2.41, -1.0, -1.41);glEnd();

- (b) Automatic texture coordinate generation:
**glTexGen( );**- Can be used to create FX such as mirror reflection.

- Rotating cube with light and texture and screen cap. Note that you could load your own bitmap into the checkerboard texture!
- example program and screen cap: generates its own texture map algorithmically, rather than reading an image

- 2D textures
- advantage: literally any picture that can be scanned or painted can be used as a texture
- disadvantage: difficult to wrap 2d textures around 3D objects
- stretch marks
- seams
- repeated patterns ("tiling")

- procedural textures: (algorithmic textures, 3D textures)
- texture is computed by a function/program
- T(x,y,z) is a function over point coord (x,y,z), and returns a colour
to render that point
- Parameters can also include surface characteristics such as height, slope,...

- think of T(x,y,z) as an infinite function in 3D
- each renderable point of an object intersects the T(x,y,z) volume; where it intersects it determines its colour/texture
- if you translate the 3D texture along with the object, the object texture will remain static; otherwise, it will transform when it moves wrt coordinate space

- advantages of 3D textures:
- continuous in (x,y,z) space; means that texture features wrap around
minute folds in objects
- no seams, stretch marks
- eg. wood grains will naturally encompass object -->
*solid texturing*

- infinite variations
- can obtain very realistic, natural textures: wood, marble, terrain, ...
- can be animated for special effects: animate the texture equation parameters
- often work hand-in-hand with procedural modeling

- continuous in (x,y,z) space; means that texture features wrap around
minute folds in objects
- disadvantages of 3D textures:
- not necessarily easy to create a mathematical model of a desired effect
- can be computationally expensive

- In most cases, we need to rotate, translate, scale a texture along
with the object; otherwise, the texture will move and mutate
- Note: unlocking texture with object may be an interesting special effect

- Example 1: RGB
- we can translate an object's (x,y,z) coordinates into RGB space
- trans(x,y,z) --> x',y',z' (0 <= x, y, z <= 255)
- then treat these coords as RGB data
- Use modulo arithmetic if coordinates go beyond 0-255.
**Note:**Easy effect to apply to assignment 3!

- Example 2: woodgrain
- woodgrain effects effectively modeled using embedded cylinder equations
- eqn of cylinder: r1 = (u^2 + v^2)^0.5
- perturb (deviate) wood growth
- r2 = r1 + 2*sin(a*A)

- twist axis of cylinders:
- r2 = r1 + 2*sin(a*A + v/b)
- where u, v, w are parametric (local) coordinates; a, b are constants
- A = arctan(u/w)

- then use mod function to simulate embedded cylinders, and map r2 size to a colour (eg. dark, light)

eg. Code from Watt, Program 7.1, p. 248 :

wood_grain(u,v,w:real; var r,g,b:real); var radius, angle: real; grain:integer; radius := sqrt(u*u+v*v); if w=0 then angle := pi / 2 else angle := arctan(u,w); /* arctan evaluates arctan(u,w), but uses ingo to return a value betwen 0 and 2*pi */ radius := radius + 2*sin(20*angle+v/150); grain := round(radius) mod 60; if grain < 40 then r := R_LIGHT; g := G_LIGHT; b := B_LIGHT; else r := R_DARK; g := G_DARK; b := B_DARK; end;

- example 3: noise
- use a finite lattice of random numbers; numbers denote colours (shades)
- mod (x,y,z) coordinate into the lattice, and interpolate its colour based on lattice values
- if you use a spline interpolation, realistic stone effects result
- can also add turbulence (good for marble)
- turbulence(x) = sum {i=0 to k} (noise((2^i) x) / 2^i
- as i increases, its contribution from noise increases, and hence it is scaled by 2^i
- this has fractal properties: the turbulence has the same general shape no matter how precisely you draw it

- of course, you also apply lighting effects on top of this (and other example 3d textures)
- Famous example of using noise to emulate natural textures (minerals, clouds,...): Perlin noise by Ken Perlin (Academy Award winner!)

(Dr Perlin's home page @ NYU). - Here's Eric Sneek's implementation result: Picture

Some examples of turbulence (via Strata StudioPro 1.75 Macintosh)

- Current version is Bryce 7 Pro ($20)
- Bryce's realistic (and not-so-realistic) materials make use of:
- lighting effects
- 2D texture mapping
- 3D algorithmic textures
- mixing of multiple textures
- other procedural effects (fuzziness, alpha-channels,...)

- 3D textures use model geometry within equations
- slope or altitude of a mountain can effect textures (snow, rock stratification)
- shows how modeling and texturing work together

- Impressive cloud FX.

Example Bryce images: One Two. Three. Four.

- an interactive GUI interface that manipulates 3D texture equation parameters

- Step 1: Noise: basic source of texture
- type: various algorithmic generation schemes (random, fractal, ...)
- dimensions: 1D, 2D, 3D, ...
- frequency: density along # dimensions assigned above
- orientation: direction of noise
- octaves: complexity parameter - a cyclic measurement
- modulation: means for combining octaves

- Step 2: Filter: post-processing of noise signal
- clipping, smoothing, ...
- usually, parameter a controls intensity of filter, b adjusts height

- Step 3: Output type
- value (alpha channel - transparency), colour, normal (bump map)
- or a combination of the three

- Step 4: can assign 3 components using steps 1 thru 3, and combine them
- various parameters for blending them together

*Advanced Animation and Rendering Techniques*, A. Watt and M. Watt, Addison-Wesley 1992, ISBN 0-201-54412-1.*OpenGL Programming Guide*, OpenGL ARB, Addison-Wesley 1993, ISBN 0-201-63274-8. (chapter 9)*The KPT Bryce Book*, S. Kitchens, Addison-Wesley 1995, ISBN 0-201-48355-6.*Real World Bryce 2: the art of digital landscape*, S. Kitchens, 1997, ISBN 0-201-694190

Back to COSC 3P98 index

COSC 3P98 Computer Graphics

Brock University

Dept of Computer Science

Copyright © 2016 Brian J. Ross
(Except noted figures).

http://www.cosc.brocku.ca/Offerings/3P98/course/lectures/texture/

Last updated: November 29, 2016